̽����Ƶ

Biography

As a Professor and researcher in Fine Art, I am involved with undergraduate and postgraduate Fine Art students, PhD candidates and in facilitating and mentoring the development of staff research within the Department of Arts and Humanities at the ̽����Ƶ. I am committed to the principle that Fine Art, with its unique and ever-expanding set of methodologies has a special and important contribution to make to knowledge production and indeed in identifying how knowledge itself is constituted.

As an artist, in my own work my scope of interest spans Art and Ecology, Socially Engaged and Site-Specific Art and Art and Science. Since 2001 I’ve worked collaboratively with Icelandic artist Bryndís Snæbjörnsdóttir, building an international practice based on the complexity of human relationships to environment, in pursuit of which we’ve developed major projects at home, in Europe, Australia and the USA.

Currently, I am principal supervisor for four PhD students, Martin Fowler, Jackie Haynes, Aaron Tan and Jade Miners – and second supervisor to two PhD students, Jane Topping and Patti Lean (all by Fine Art Practice) based at the Institute of the Arts at the ̽����Ƶ.

I am currently engaged in a three-year period of research in Iceland and together with Prof Bryndís Snæbjörnsdóttir of the Iceland University of the Arts lead an arts-based project involving an extended team including folklorists, environmental and biological scientists and art curators. The project which commenced in 2019, received a major funding award by the Icelandic Research Council, RANNÍS.

Spanning 20 years, our (Snæbjörnsdóttir/Wilson) art research projects and publications can be sampled at snaebjornsdottirwilson.com

Qualifications and memberships

Academic and Professional Qualifications

2013                 PhD by Published Work (University of Lancaster)

1976                 2:1 BA Hons Fine Art, University of Sunderland

Current Professional Affiliations - Seats on Committees & Boards

2017-2020           External Examiner for Department of Visual Cultures, Goldsmiths, University of London

2016-present        Member of the AHRC Academic Peer Review College

2013-present        Member of National Association of Fine Art Education

2015-present        Reviewer for Journal of Visual Arts Practice (Routledge)

2013-present        Organising member of Merz North Network

2007-present        Member of the Advisory Board of the peer reviewed Antennae Journal of  Nature in Visual Culture

2010-15               External Examiner for the BA Hons Photographic and Electronic Media and BA Hons Sculpture course at Gray’s School of Art, Robert Gordon University,        Aberdeen   

Current Responsibilities at ̽����Ƶ

Professor of Fine Art

Programme Leader in MA Contemporary Fine Art (2011-19)

Preparation of validation documents (specifically MA 2011-19)

As a Fine Art staff team member, I am involved in teaching (including lectures, critiques, seminars tutorials) timetabling and planning across all years (Years 0,1,2 & 3 and MA)

PhD supervision (2020):

1^st supervisor to four PhD candidates,

2^nd to two candidates

Development of Research activity and outputs for Institute of the Arts

Co-Instigator of Arts Research Initiative (ARI) and Arts Research Clinic (ARC) at UoC

2013 – present Member of ̽����Ƶ Ethics Panel

Academic and research interests

Contemporary Fine Art, Practice-based Research, Interdisciplinary Research, Collaborative Practice, Human/Animal interface and cultural behaviours, Socially Engaged Practice, Site specific art, Site-responsive art, Animal Studies, Environmental Art, Speculative Realism etc

Research supervision

Lead Supervisor

Martin Fowler -Prefab: Dissident Art-Making Against The Capitalist Common Sense.

Jackie Haynes - Can selected aspects of Kurt Schwitters’ Merz legacy be considered, through art practice, as ‘Transformative Sites’?

Aaron Tan - How Li Yuan-Chia’s choice to settle in Cumbria, informed the development and coalescence of his own curatorial and artistic approaches

Jade Miners – To what extent does the use of synthetic/animal material serve to complicate further the ethical arena of the Salvageable Dead?

Second Supervisor

Jane Topping - She Creeps In: The Female Subjective Voice & the Penetrable Screen

Patti Lean - Thirled to the mountain:  Nan Shepherd, eco-criticism and nomadology in painting practice

Previous Supervision

(Dr) Johanna Willenfelt - Scripting the Pain of Others: An Artistic Interrogation into Pain as Practice, Site, and Subversive Force – completed July 2020

(Dr) Frida Yngstrom - Pushing the rational – Using dreamwork as a method for art and feminist resistance – completed 2019

Publications

Solo exhibitions

2019         Vanishing Point: Where Species Meet, St. Mary’s Cathedral, Palmerstone Place, as part of Edinburg Art Festival 2019 25^th of July – 25^th of August.

2019         The Only Show in Town, David Winton Bell Gallery, Brown University, Providence, US.  Curator Jo-Ann Conklin. 6^th April – 7^th July.

2018         Searching for Stipa, exhibition and symposium, University of Göteborg, Sweden. 11 Nov 2018 – 30 June 2019.

2018         The Mariners Oubliette, film screening SOE Kitchen, Marshall House, Reykavík 26.09.18

2018         Feral Attraction:The Museum of Ghost Ruminants, solo exhibition in Listasafn ASI, Reykjavík, Iceland (5^th – 28^th February 2016) Hnjótur, Museum of Egill Ólafsson, Hnjótum, Örlygshöfn (15^th June to 10. October 2019)  

2017         Beyond Plant Blindness, installation in three locations in the Botanical Garden in Gothenburg, Sweden (12^th of April – 15^th of September 2017)

2014        Trout Fishing in America and Other stories solo-exhibition Arizona State Museum,  (3rd October-17^th January 2015) curated by Heather Lineberry & Ron Broglio.

2014        Vanishing Point: Where Species Meet, State Darwin Museum Moscow, as part of UK – Russia year of Culture 2014. 20^th of Jan to 20^th of February 2014

2012        Animal Matters: Sverdrup Gallery, University of Oslo.

11^th of May to 24^th of August 2012.

2011         I’m Not There: installation at the site of Beaumaris Zoo, Hobart for Ten Days on the Island Festival, Hobart, Tasmania

2010       Uncertainty in the City: Pets, Pests and Prey, Storey Gallery, Lancaster, UK 18^th of September to 27^th of November 2010

The Broken Skin (16^th Oct) public talk event as part of exhibition (live streamed)

The Wild and the Cultivated (30^th Oct) public talk event as part of exhibition (live streamed)

The Desirable Neighbour (13^th November) public talk event as part of exhibition (live streamed)

2009/10   Radio Animal: touring radio station

Lanercost Priory, July 10^th 2010

Grizedale Arts, Cumbria, 13^th November

Lancaster, Market Square, 23^rd October.

Interspecies, A-Foundation, London 3-6^th October

Egremont Crab Fair, 19^th September

Broughton Game Fair 28^th June

Appleby Horse Fair 4^th-6^th June 

Lancaster Garden and Country Fair 7^th June

2009       between you and me: (installation including video works the naming of things and Three Attempts)

Kalmar Museum, Exhibition, Kalmar Sweden 29^th August to 24^th October

Pod Space Gallery Newcastle, Sydney Australia 12^th July to 2^nd August

Glashuset, Gothenburg 27^th March to 12^th April

nanoq: flat out and bluesome, Photographic Installations and events

2011                 Tromsø Polar Museum, Tromsø, Norway, 1^st June 2011 – 30^th March 2012

2010/11            Svalbard Museum, Longyearbyen, Spitzbergen

2010                 Manchester Metropolitan Museum (exhibition) 13^th February to 11^th July 2010

2009                 Worcester Art Galleries and Museum, Worcester, 27^th November 2009 to 10^th January 2010

2009                 nanuk, Grenna Museum, Sweden 13^th June to 13^th September

2009                 New Walk Museum, Leicester 24^th January to 5^th April 2009

2008                 Scott Polar Research Institute, 13^th May to 20^th August 2008

2007/8              Fram Museum, Oslo, Norway, 30^th November 07 to 1st of Sept. 08

2007                 Nordic House, Faroe Islands, 14^th March to 30^th April 2007

2006/7              Horniman Museum, London October 06 – March 2007

2006/7              Nordatlantens Brygge, Copenhagen, Sept 06 – Feb 2007

2006                 nanoq, installation and book launch, Valand School of Art, Gothenburg

2006                 Sensi(a)ble Spaces, Askja, The Centre for Natural Sciences, University of Iceland

2006                 Bristol Museum and Art Gallery, Bristol

2004                 University Museum of Natural History, Oxford

2004     nanoq: flat out and bluesome (installation including 10 stuffed polar bears) in Spkie Island, Bristol

2006     (a)fly

2007                 Konstmuseum, Gothenburg, Sweden

2006                 National Museum of Iceland, & Reykjavik City Library, for Reykjavik International Art Festival,

2004     Big Mouth Tramway, Glasgow, Scotland

2004     There are some things you have to know, 300m3, Göteborg, Sweden

2003     Lullabies, Hafnarhusid, Reykjavik City Museum. Iceland

  

Publications (monographs by Snæbjörnsdóttir/Wilson)

 

2020                 Beyond Plant Blindness: Seeing the Importance of Plants for a Sustainable World. (168 pp) Editors: Wilson, M., Snæbjörnsdóttir, B. & Sanders, D. Pub. The Green Box, Berlin. ISBN 978-3-96216-001-2

2019                 Feral Attraction: The Museum of Ghost Ruminants / Ómur Óbyggðanna: Draugasafn Jórturdýranna, (238 pp) Pub. Forlaget 284, Gothenburg, Sweden. Published in English and Icelandic. ISBN 978-91-983856-1-8 (Editor: Wilson, M.)

2015                 You Must Carry Me Now: the Cultural Lives of Endangered Species (264 pp) Pub. Forlaget 284, Gothenburg, Sweden. Essays by Dr Amanda Boetzkes, Prof Cary Wolfe, Prof Ron Broglio, Dr Æsa Sigurjónsdóttir, Fröydi Laszlo and the artists. ISBN 978-91-979822-6-9            

2011                 Uncertainty in the City, 152 page book, monograph published by Green Box, Berlin. Edited by Axel Lapp. Essays by Rikke Hansen Erica Fudge, Chris Wilbert, Peter Lurz - ISBN 978-3-941644-18-2

2009                 Spaces of Encounter: Art and Revision in Human Animal Relations, BS PhD dissertation, Published by Gothenburg University – ISBN 978-91-977757-6-2

2006                 nanoq: flat out and bluesome, A Cultural Life of Polar Bears, 192 page book Essays by Dr. Steve Baker, Dr. Garry Marvin, Michelle Henning, Patricia Ellis, Published by Black Dog Publishing – ISBN 1-904772-39-0

2006                 (a) fly – between nature and culture, 80 page book. Essays by Dr. Karl Benediktsson, Dr. Mika Hannula & Dr. Ron Broglio. Published by National Museum of Iceland – ISBN 9979-790-07-5

2004                 Big Mouth, 84 page book, featuring research and documentation of three recent projects by Snæbjörnsdóttir/Wilson, with essays by Juan Cruz, Dr. Nikos Papastergiadis, Dr.Francis McKee and the artists, published by Tramway, Glasgow and CIA - ISBN 1-869979-16-8

2003                 ��ö�����ܱ�í���ܰ�, Hafnarhusid, Reykjavik City Museum. Iceland. Essay by Juan Cruz

1999                 home, published for Slunkariki, Edition 200, ISBN 1-9535610-0-3

                                 

Publications (featuring chapters and articles by Snæbjörnsdóttir/Wilson)

 

2020                  Antennae: Journal of Nature in Visual Culture #50 Spring. Wilson, M. & Snæbjörnsdóttir, B., Shooting the Messenger  pp.109-123

2019                  North as a Meaning in Design and Art, ed. ��ä�쾱�첹������, M, Holt, Y. & Hautala-Hirvioja, T. Ecologies of Change: The Place of Art in a Northern Imaginary, Wilson, M. & Snæbjörnsdóttir, B. pp.195-209. Lapland University Press, Rovaniemi. ISBN 978-952-310-931-5

2019                  Animal Encounters, Kontakt, Interaktion und Relationalität, (2019) ed.  Böhm, A. & Ullrich, J., Untying the Knots: Relational Art and Interspecific Encounter by Wilson, M. & Snæbjörnsdóttir, B pp.187-205. Pub. JB Metzler, Stuttgart, Germany. ISBN 978-3-476-04938-4

2019                  The Bear: Culture, Nature, Heritage, (2019) ed. Nevin, O., Convery, I., & Davis, P., On the Oblique Imperativeby Wilson, M. & Snæbjörnsdóttir, B. Chapter 11, pp.131-146. Pub. The Boydell Press, London ISBN 978-1-78327-460-4

2017                  The 10th Anniversary hardback edition of Antennae: Journal of Nature in Visual Culture featured Snæbjörnsdóttir/Wilson twice;

#1 nanoq: in conversation ­ the artists were interviewed by Editor in Chief, Giovanni Aloi and

#2 Falling Asleep with a Pig – Snæbjörnsdóttir/Wilson interview the performance artist Kira O’Reilly

2017                  Snæbjörnsdóttir/Wilson interview The Harrisons. Antennae: Journal of Nature in Visual Culture. Issue 39 - Spring. pp. 84 An interview with Newton (and Helen Mayer) Harrison concerning their lives’ work and the launch of their major monograph The Time of the Force Majeure. Interview published in Antennae: Journal of Nature in Visual Culture. Issue 39 - Spring. pg. 84-102 ISSN 1756-9575 http://www.antennae.org.uk/back-issues/4583697895

2016                           Ecologies of Uncertainty: nanoq and the Indeterminate North essay by Snæbjörnsdóttir/Wilson in Up Here: The North at the Center of the World Edited by Julie Decker and Kirsten J. Anderson, ISBN 978 0295999081 University of Washington Press

2015                  Acts of Creation: Thoughts on artistic research supervision, editors Frisk, H., Johansson, K., & Lindberg-Sand, A., Brutus Östlings Bokförlag Symposium, Höör, Sweden. ISBN 978-91-87483-16-5

2015                  Repairing the Disembodied Mind; Art Practice, Research and New Knowledge essay by Snæbjörnsdóttir/Wilson in Keep Frozen: Art Practice As Research – The Artist’s View, ed. Hulda Rós Guðnadóttir, ISBN 978-9979-72-761-3. Published by Útúrdúr, Reykjavík.

2015                  After nanoq: flat out and bluesome: A Cultural Life of Polar Bears: Displacement as a Colonial Trope and Strategy in Contemporary Art essay by Snæbjörnsdóttir/Wilson in Displaced Heritage: Responses to Disaster, Trauma and Loss, Edited by Convery, I. Corsane, G. & Davis, P. The Boydell Press, N.Y

2014                  Tierstudien (06/2014) Tiere und Raum ed. Jessica Ullrich, featured work A Safe Passage pub: Neofelis Verlag, Berlin pp 139-146 ISBN 978–3–943414–41–7

2014                  The We of ‘We’: Rethinking Back to the Garden, essay by Snæbjörnsdóttir/Wilson for Late Harvest,exhibition catalogue Center for Art and Environment, Nevada Museum of Art, eds. JoAnne Northrup and William Fox. ISBN 978–3–7774–2350–0

2014                  Feral Attraction, Art, Becoming and Erasure chapter in the Routledge Handbook of Animal Studies, Editors: Dr. Susan McHugh, Dr. Garry Marvin, Routledge, London, New York

ISBN 978–0–415–52140–6

2013                  A Respectful Distance: To Better Conversation chapter by Snæbjörnsdóttir/Wilson for Handplockat, Editor: Laszlo, F. Publisher, Angora Art, () ISBN 978–91–979822–2–1

2012                 Doing Research, a text written by Snæbjörnsdóttir. Published by the Finnish Art Academy and on the d13 website. Editors, Jan Kaila and Henk Schlager.

2012                 Art methodologies/Parities in Meeting,chapter by Snæbjörnsdóttir/Wilson in book Animalities edited by Dr. Steven Shakespeare, Published by Continuum (March)

2010                 Conversations with Landscapes The Empty Wilderness by Snæbjörnsdóttir/Wilson edited by Dr. Karl Benediktson and Dr. Katrín Lund University of Iceland.

2010                 Corridor8 (Contemporary Art Annual), Ed. R. McKinley ISBN 978-0-9552672-3-9

2010                 Confrontations with the wild: unpacking the animal through an art practice, in Society Animals and Gender, published by Springer. B. Snæbjörnsdóttir

2009                 Transmission: HOST, a collaborative publication Snæbjörnsdóttir/Wilson and Chloe Brown, published by Sheffield Hallam University.

2008                 BIPOLAR, essay on nanoq: flat out and bluesome by Snæbjörnsdóttir/Wilson, The Arts Catalyst, editor Kathryn Yusoff

 

Selected group exhibitions

Animal Gaze Constructed, Sir John Cass School, Aldgate campus, 6th – 27th of March 2020

Aiviq & Nanuq: Sea Horse & Sea Bear of the Arctic, Anchorage Museum, Alaska  7. okt 2018-12. maí 2019.

Sagas on Thin Ice Audrey Love Gallery, Miami, Florida. (Art Basel) Curated by Ombretta Agró Andruff Nov 17 – Jan 21, 2017. Artists: Bryndís Snæbjörnsdóttir & Mark Wilson, Ósk Vihjálmsdóttir, Anna Líndal, Kjánska Collective, Rúrí. 3x Snæbjörnsdóttir/Wilson works featured: Matrix #1, You Must Carry Me Now and nanoq: flat out and bluesome

Borrowed Time, Scandinavian House N.Y. Curator Ásthildur Jónsdóttir (October 2016 – January 2017)

ÁKALL – CHALLENGE – Art in the Service of Sustainability, United Nations, N.Y. Curator Ásthildur Jónsdóttir (July 2016)

RÍKI – flóra, fána, fabúla / KINGDOM – flora, fauna, fable, Listasafn Reykjavikur (Reykjavík Art Museum) curator Markús Þór Andresson (May-August 2016)

Infinite Next Nýlistasafnið (The Living Art Museum), Reykjavík. (7th of May – 15th of June 2016) Group exhibition curated by Bjarki Bragason, Anna Líndal and Þorgerður Ólafsdóttur.

The View From Up Here Polar Lab with Anchorage Museum Alaska. Group exhibition (6^th May to 18^th Sept 2016)

Dead Animals: the curious occurrence of taxidermy in contemporary art, Bell Gallery, Brown University, Providence. U.S (Jan 23^rd to Mar 27^th 2016) Curator Jo Anne Conklin.

After-Biopolitics, SLSA Conference, Main St. Rice University, Houston, Texas, U.S (12^thto 15^th of Nov 2015). Curator Maria Whiteman

Larson´s Lost Waters, Group exhibition, Wimbledon College of Art, London. Curated by Edwina Fitzpatrick. 2015

Caldewgate 1991-2015, Carlisle. Curator Genevieve Kay-Gourlay, 17^th -30^th July, 2015

����ó�Բ�����ǰ���, Safnahúsið, Reykjavík, Curator Markús Þór Andrésson, (18.04.2015- x)

Carlisle Photo Festival 2015, 27^th April to 16^th May 2015. http://www.carlislephotofestival.co.uk

Ákall, Listasafn Árnesinga, Iceland. Curator Ásthildur B. Jónsdóttir. Featured work; Íslenskir Fuglar. 24.01 – 23.04 2015.

Late Harvest, Nevada Museum of Art, US.  Curator JoAnne Northrup. Featured work, nanoq: flat out and bluesomephotographic archive.  27^th Sept – 18th Jan 2015

Þín Samsetta Sjón, Reykjavík Art Museum, Iceland,  Featured work;  nanoq: flat out and blue some photographic archive. 24.05 – 7.09 2014.

The Luck of Eden Hall @ the Fire Station,Carlisle, curated by Linda Fitzgerald. Featured work, Safe Passage to the Promised Land (19-26th March 2014)

Publications (featuring the work of Snæbjörnsdóttir/Wilson)

2019  Tierstudien #16, ed. Ullrich, J. & Böhm, A. Künstlerstrecke, You Must Carry Me Now, by Wilson, M. & Snæbjörnsdóttir, B. pp. 157-168

2018 Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene Giovanni Aloi, Columbia University Press

2016 Ice Bear: the Cultural History of an Arctic Icon Michael Engelhard published by University of Washington Press ISBN 978-0295-99922-7 Snæbjörnsdóttir/Wilson’s work is discussed on pp. 222, 245-6 and their artwork reproduced on pp.246-7

2016  RÍKI - flóra, fána, fabúla / KINGDOM - flora, fauna, fable, Listasafn Reykjavikur (Reykjavík Art Museum) ISBN 9979-769-50-5

2016 Dead Animals: the curious occurrence of taxidermy in contemporary art, exhibition catalogue writing by Steve Baker, Mark Dion, Brown University, Providence, RI

2015  After Biopolitics: Art exhibition & performances, 29^th Annual (SLSA) conference, The BioScience Research Collaborative Rice University, Houston, US - exhibition brochure, ed. Maria Whiteman

Ecologies of Uncertainty: nanoq and the Indeterminate North essay by Snæbjörnsdóttir/Wilson in Up Here: The North at the Center of the World Edited by Julie Decker and Kirsten J. Anderson, ISBN 978 0295999081 University of Washington Press 2016

Acts of Creation: Thoughts on artistic research supervision, editors Frisk, H., Johansson, K., & Lindberg-Sand, A., Brutus Östlings Bokförlag Symposium, Höör. ISBN 978-91-87483-16-5. Sweden 2015

Repairing the Disembodied Mind; Art Practice, Research and New Knowledge essay by Snæbjörnsdóttir/Wilson in Keep Frozen: Art Practice As Research – The Artist’s View, ed. Hulda Rós Guðnadóttir, ISBN 978-9979-72-761-3. Published by Útúrdúr, Reykjavík 2015

After nanoq: flat out and bluesome: A Cultural Life of Polar Bears: Displacement as a Colonial Trope and Strategy in Contemporary Art. Essay by Snæbjörnsdóttir/Wilson in Displaced Heritage: Responses to Disaster, Trauma and Loss, Edited by Convery, I. Corsane, G. & Davis, P. The Boydell Press, N.Y.  2015

Tierstudien, Tiere und Raum,  featured work A Safe Passage, Ed. Jessica Ullrich,  06/2014

Late Harvest, exhibition catalogue,essay by Snæbjörnsdóttir/Wilson, The We of ‘We’: Rethinking Back to the Garden, Nevada Museum of Art, eds. JoAnne Northrup and William Fox,  2014

Papers delivered by Snæbjörnsdóttir/Wilson at public lectures and conferences

On the Oblique Imperative: An Examination of the Obfuscating Nature of Spectacle in Art and Conservation, by Mark Wilson & Bryndís Snæbjörnsdóttir for International Conference Minding Animals 4, Ciudad Universitaria, Mexico City. 2018

You Must Carry Me Now: on Grieving and Extinction, by Mark Wilson & Bryndís Snæbjörnsdóttir for International Conference Minding Animals 4, Ciudad Universitaria, Mexico City. 2018

Searching for Stipa: Revealing Plant Biographies across Habitats Bryndís Snæbjörnsdóttir & Mark Wilson for Out of Time, the 31^st annual meeting of the Society for Literature Science and the Arts (SLSA) Conference, Arizona State University, Tempe, Arizona, USA (9^th to 12^th Nov 2017)

On the Oblique Imperative: An Examination of the Obfuscating Nature of Spectacle in Art and Conservation Mark Wilson & Bryndís Snæbjörnsdóttir for Out of Time, the 31^stannual meeting of the Society for Literature Science and the Arts (SLSA) Conference, Arizona State University, Tempe, Arizona, USA (9^th to 12^th Nov 2017)

Matrix: At the Center of Periphery: Climate Displacement, Immigration and Artists of Social Action Arctic Circle International Conference, Iceland (October 2016)

Untying the knots: Relational Art and the Meetings of Species. Mensch-Tier-Kontakte in Kunst, Erlangen, Nuremburg, (November 2016)

Taxidermy Art & the Animal Question: A Symposium, Dead Animals, or the curious occurrence of taxidermy in contemporary art, Brown University, Providence, US – paper: Fading Symbols, Disappearing Worlds: The Cultural Lives of Endangered Species Feb 26^th-27^th 2016

Action – a twisted relation to the object, Icelandic Art Academy   (28^th – 30^th of Jan 2016)

After-Biopolitics, Society for Literature Science and the Arts (SLSA) Conference, Rice University, Houston, Texas (12^th to 15^th Nov 2015) -paper delivered You Must Carry Me Now

Visualising the Animal, ̽����Ƶ. Paper delivered You Must Carry Me Now. 2015

Anthropocene Campus, Haus der Kulturen der Welt, Berlin (commentator and lecture) 16-24th November 2014

Art + Environment Conference, Nevada Museum of Art. Paper: nanoq and the Indeterminate North, October 9th – 11th 2014

Further North Conference, University of Northumbria, Newcastle on Tyne. Paper: Ecologies of Uncertainty: The Indeterminate North 4th – 5th September 2014

Practicing (in) Uncertainty Colloquium, Chelsea College of Arts, University of the Arts, London – paper: What’s Lost is Found, 2014

 

Artworks in collections

 

Anchorage Municipal Museum, Anchorage, Alaska, USA Snæbjörnsdóttir/Wilson Shooting the Messenger  

ASU Art Museum, Tempe, Arizona Snæbjörnsdóttir/Wilson – You Must Carry Me Now

Anchorage Municipal Museum, Anchorage, Alaska, USA Snæbjörnsdóttir/Wilson Matrix #1

Listasafn Íslands - National Gallery of Iceland Snæbjörnsdóttir/Wilson – Islenskir Fuglar

Nevada Museum of Art, (Snæbjörnsdóttir/Wilson – nanoq: flat out and bluesome, 2^nd edition)

Centre for Art and Environment, Nevada Museum of Art

(Snæbjörnsdóttir/Wilson – nanoq: flat out and bluesome, project research archive)

Reykjavik Art Museum, (Snæbjörnsdóttir/Wilson – nanoq: flat out ad bluesome, 1st edition)

Aberdeen Art Galleries and Museums (Bryndís Snæbjörnsdóttir)

University of London, Science Learning Centre, (Snæbjörnsdóttir/Wilson – London, Puttnam from nanoq:)

Guy Stansfeld Architects Ltd. London (Snæbjörnsdóttir/Wilson – Worcester from nanoq)

Pushkin Museum, Moscow, Russia (Mark Wilson)

Abbott Hall Museum and Art Gallery, U.K (Mark Wilson)                  

 

Recent Residencies & Research

Research trip to Kaktovik, North Slope,  Alaska (28^th September to 7th October 2018) Commissioned by Anchorage Museum

Research trip to Alaska (14^th to 22^nd of May 2017) Commissioned by Anchorage Museum

Artists in Residence, Anchorage Museum, Alaska, USA. 2016-2020

Research trip to Anchorage and Barrow, Alaska, commissioned by Anchorage Museum, September 2015

Beyond Plant Blindness. Research residency @ Konstepidemin, Gothenburg, April 2015

Research Fellowship, Centre for Art + Environment, Nevada Museum of Art, US, 2014 – 2016

Visualizing Sustainability, research project, commissioned by ASUAM and the Global Institute of Sustainability at Arizona State University, US, February and November 2013

Animal Matter, University of Oslo, commissioned by Prof. Liv Emma Thorsen, research and exhibition 2012

Recent external roles

2017-2020           External Examiner for BA History of Art & BA Fine Art & History of Art, Dept. Visual Arts Culture, Goldsmiths, University of London

2016-present        Panel Member of the AHRC Academic Peer Review College

2013-present        Member of National Association of Fine Art Education

2015-present        Reviewer for Journal of Visual Arts Practice (Routledge)

2010-14 External Examiner for the BA Hons Photographic and Electronic Media and BA Hons Sculpture course at Gray's School of Art, Robert Gordon University, Aberdeen.

2007-present: Member of the Advisory Board of the peer reviewed Antennae Journal of Nature in Visual Culture

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